| Composing interactive music: techniques and ideas using Max T Winkler MIT press, 2001 | 399 | 2001 |
| Making motion musical: Gesture mapping strategies for interactive computer music T Winkler ICMC, 26, 1995 | 214 | 1995 |
| Composing interactive music T Winkler Techniques and ideas using Max, 1998 | 86 | 1998 |
| Creating interactive dance with the very nervous system T Winkler Proceedings of Connecticut College Symposium on Arts and Technology 2, 1997 | 59 | 1997 |
| Audience participation and response in movement-sensing installations T Winkler Proceedings of the International Computer Music Conference, 137-140, 2000 | 46 | 2000 |
| Motion-sensing music: Artistic and technical challenges in two works for dance T Winkler ICMC, 1998 | 36 | 1998 |
| Fusing movement, sound, and video in Falling Up, an interactive dance/theatre production T Winkler Proceedings of the 2002 conference on New interfaces for musical expression, 1-2, 2002 | 19 | 2002 |
| Strategies for interaction: Computer music, performance, and multimedia T Winkler Proceedings of the 1995 connecticut college symposium on arts and technology, 1995 | 11 | 1995 |
| Celeritas—a wearable sensor system for interactive digital dance theatre B O’Flynn, G Torre, M Fernstrom, T Winkler, A Lynch, J Barton, P Angove, ... 4th International Workshop on Wearable and Implantable Body Sensor Networks …, 2007 | 6 | 2007 |
| Followplay: A MAX Program for Interactive Composition T Winkler Proceedings of the International Computer Music Conference, 433-433, 1992 | 6 | 1992 |
| Interactive signal processing for acoustic instruments T Winkler PROCEEDINGS OF THE INTERNATIONAL COMPUTER MUSIC CONFERENCE, 545-545, 1991 | 5 | 1991 |
| 1992 International Computer Music Conference, San Jose, California USA, 14-18 October 1992 D Keislar, R Pritchard, T Winkler, H Taube, M Helmuth, J Berger, ... Computer Music Journal 17 (2), 85-98, 1993 | 3 | 1993 |
| Flying Spinning and Breaking Apart: Live Video Processing and the Altered Self T Winkler 17th International Symposium on Electronic Art, Istanbul, Turkey, 2593-2599, 2011 | 2 | 2011 |
| Video mirrors and mirror neurons: a look at empathy in participatory immersive environments T Winkler 15th International Symposium on Electronic Art, Island of Ireland, 1137-1140, 2009 | 2 | 2009 |
| Three interactive etudes for clarinet and computer.(Original composition) TE Winkler Stanford University, 1992 | 2 | 1992 |
| Summer Computer Music Festival, Frost Ampitheatre, Stanford University, Palo Alto, California, USA T Winkler Computer Music Journal 15 (3), 105-107, 1991 | 2 | 1991 |
| The Mirrored Body: Sensation, Agency and Expression in a Video Processed World T Winkler Proceedings of the 6th International Conference on Movement and Computing, 1-4, 2019 | 1 | 2019 |
| Movement-activated sound and video processing for multimedia dance/theatre T Winkler ICMC, 2003 | 1 | 2003 |
| Composing Interactive Music: A Pedagogical Approach to Teaching Interactive Composition T Winkler Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1995 | 1 | 1995 |
| Technical and aesthetic considerations in interactive computer music systems T Winkler The Journal of the Acoustical Society of America 96 (5_Supplement), 3302-3302, 1994 | 1 | 1994 |
