Bit by (Twitch) bit:“Platform capture” and the evolution of digital platforms WC Partin Social media+ society 6 (3), 2056305120933981, 2020 | 81 | 2020 |
Constructing alternative facts: Populist expertise and the QAnon conspiracy AE Marwick, WC Partin New Media & Society 26 (5), 2535-2555, 2024 | 75 | 2024 |
“We dissect stupidity and respond to it”: Response videos and networked harassment on YouTube R Lewis, AE Marwick, WC Partin American Behavioral Scientist 65 (5), 735-756, 2021 | 47 | 2021 |
Watch me pay: Twitch and the cultural economy of surveillance WC Partin Surveillance & Society 17 (1/2), 153-160, 2019 | 41 | 2019 |
The construction of alternative facts: Dark participation and knowledge production in the qanon conspiracy WC Partin, AE Marwick AoIR Selected Papers of Internet Research, 2020 | 14 | 2020 |
QAnon shows that the age of alternative facts will not end with Trump A Marwick, W Partin Columbia Journalism Review 5, 2020 | 10 | 2020 |
“Don’t make me ratio you again”: How political influencers encourage platformed political participation BC Harris, M Foxman, WC Partin Social Media+ Society 9 (2), 20563051231177944, 2023 | 6 | 2023 |
The construction of alternative facts:" QAnon" researchers as scientistic selves A Marwick, WC Partin 21st Annual Conference of the Association of Internet Researchers. Virtual …, 2020 | 6 | 2020 |
Recasting Twitch: Livestreaming, Platforms, and New Frontiers in Digital Journalism M Foxman, BC Harris, WC Partin Digital Journalism, 1-21, 2024 | 2 | 2024 |
Live Streaming as a Cultural Industry W Partin | | 2023 |
17 Live Streaming as a Cultural Industry W Partin Real life in real time: live streaming culture/edited by Johanna, 261, 2023 | | 2023 |
The eye & the arm: Prosthetics & visual culture in France, 1915-1925 WC Partin III The University of North Carolina at Chapel Hill, 2015 | | 2015 |