| Musical creativity: Strategies and tools in composition and improvisation G Mazzola, J Park, F Thalmann Springer Science & Business Media, 2011 | 108 | 2011 |
| The topos of music III: Gestures G Mazzola, R Guitart, J Ho, A Lubet, M Mannone, M Rahaim, F Thalmann Third volume of second edition of, 2018 | 35 | 2018 |
| The mobile audio ontology: Experiencing dynamic music objects on mobile devices F Thalmann, AP Carrillo, G Fazekas, GA Wiggins, M Sandler 2016 IEEE Tenth International Conference on Semantic Computing (ICSC), 47-54, 2016 | 24 | 2016 |
| Musiclynx: Exploring music through artist similarity graphs A Allik, F Thalmann, M Sandler Companion Proceedings of the The Web Conference 2018, 167-170, 2018 | 20 | 2018 |
| The semantic music player: A smart mobile player based on ontological structures and analytical feature metadata F Thalmann, A Perez Carillo, G Fazekas, M Sandler | 18 | 2016 |
| The Composing Hand: Musical Creation with Leap Motion and the BigBang Rubette. D Tormoen, F Thalmann, G Mazzola NIME, 207-212, 2014 | 16 | 2014 |
| The bigbang rubette: Gestural music composition with rubato composer F Thalmann, G Mazzola ICMC, 2008 | 16 | 2008 |
| Functors for music: The rubato composer system G Mazzola, G Milmeister, K Morsy, F Thalmann Transdisciplinary Digital Art. Sound, Vision and the New Screen: Digital Art …, 2008 | 16 | 2008 |
| Online visibility graphs: Encoding visibility in a binary search tree D Fano Yela, F Thalmann, V Nicosia, D Stowell, M Sandler Physical Review Research 2 (2), 023069, 2020 | 15 | 2020 |
| Towards a semantic web representation and application of audio mixing rules D Moffat, F Thalmann, M Sandler | 15 | 2018 |
| Musical composition with grid diagrams of transformations F Thalmann Master's Thesis, University of Bern, Bern, 2007 | 15 | 2007 |
| From interactive to adaptive mood-based music listening experiences in social or personal contexts M Barthet, G Fazekas, A Allik, F Thalmann, MB Sandler Journal of the Audio Engineering Society, 2016 | 13 | 2016 |
| Jam tomorrow: Collaborative music generation in croquet using OpenAL F Thalmann, M Gaelli Fourth International Conference on Creating, Connecting and Collaborating …, 2006 | 13 | 2006 |
| The rubato composer music software: Component-based implementation of a functorial concept architecture G Milmeister, G Mazzola, F Thalmann (No Title), 2006 | 11 | 2006 |
| Grateful live: Mixing multiple recordings of a dead performance into an immersive experience T Wilmering, F Thalmann, MB Sandler Audio Engineering Society Convention 141, 2016 | 10 | 2016 |
| Topos Theory for a Creative Analysis of Boulez’s Structures G Mazzola, C Losada, F Thalmann, S Tsuda Quaderni di Matematica, Theory And Applications of Proximity, Nearness and …, 2009 | 10 | 2009 |
| Visualization and transformation in general musical and music-theoretical spaces F Thalmann, G Mazzola Proceedings of the Music Encoding Conference, 2013 | 8 | 2013 |
| Musical composition and gestural diagrams G Mazzola, F Thalmann International Conference on Mathematics and Computation in Music, 151-164, 2011 | 8 | 2011 |
| Musical Creativity. Computational Music Science G Mazzola, J Park, F Thalmann Springer, 2011 | 8 | 2011 |
| Grid diagrams for ornaments and morphing G Mazzola, F Thalmann Proceedings of the First International Conference of the Society for …, 2007 | 7 | 2007 |
Guerino MazzolaProfessor of Music Theory and Creativity, University of Minnesota, School of MusicVerified email at umn.edu
