| Listening to music as a re-creative process: Physiological, psychological, and psychoacoustical correlates of chills and strong emotions O Grewe, F Nagel, R Kopiez, E Altenmüller Music perception 24 (3), 297-314, 2007 | 414 | 2007 |
| Emotions over time: synchronicity and development of subjective, physiological, and facial affective reactions to music. O Grewe, F Nagel, R Kopiez, E Altenmüller Emotion 7 (4), 774, 2007 | 278 | 2007 |
| Sight-reading AC Lehmann, V McArthur The science and psychology of music performance, 135-150, 2002 | 272 | 2002 |
| EMuJoy: Software for continuous measurement of perceived emotions in music F Nagel, R Kopiez, O Grewe, E Altenmüller Behavior Research Methods 39 (2), 283-290, 2007 | 212 | 2007 |
| Towards a general model of skills involved in sight reading music R Kopiez, J In Lee Music education research 10 (1), 41-62, 2008 | 185 | 2008 |
| The chill parameter: Goose bumps and shivers as promising measures in emotion research O Grewe, R Kopiez, E Altenmüller Music Perception 27 (1), 61-74, 2009 | 180 | 2009 |
| When the eye listens: A meta-analysis of how audio-visual presentation enhances the appreciation of music performance F Platz, R Kopiez Music Perception: An Interdisciplinary Journal 30 (1), 71-83, 2012 | 178 | 2012 |
| How does music arouse “chills”? Investigating strong emotions, combining psychological, physiological, and psychoacoustical methods O Grewe, F Nagel, R Kopiez, E Altenmüller Annals of the New York Academy of Sciences 1060 (1), 446-449, 2005 | 166 | 2005 |
| The influence of deliberate practice on musical achievement: a meta-analysis F Platz, R Kopiez, AC Lehmann, A Wolf Frontiers in psychology 5, 646, 2014 | 143 | 2014 |
| Towards a dynamic model of skills involved in sight reading music R Kopiez, J In Lee Music education research 8 (1), 97-120, 2006 | 134 | 2006 |
| Does music listening in a social context alter experience? A physiological and psychological perspective on emotion H Egermann, ME Sutherland, O Grewe, F Nagel, R Kopiez, E Altenmüller Musicae Scientiae 15 (3), 307-323, 2011 | 118 | 2011 |
| Chills in different sensory domains: Frisson elicited by acoustical, visual, tactile and gustatory stimuli O Grewe, B Katzur, R Kopiez, E Altenmüller Psychology of Music 39 (2), 220-239, 2011 | 115 | 2011 |
| The influence of practice on the development of motor skills in pianists: A longitudinal study in a selected motor task HC Jabusch, H Alpers, R Kopiez, H Vauth, E Altenmüller Human movement science 28 (1), 74-84, 2009 | 106 | 2009 |
| Fußball-Fangesänge: Eine Fanomenologie R Kopiez, G Brink Königshausen & Neumann, 1999 | 98 | 1999 |
| Chills as an indicator of individual emotional peaks O Grewe, R Kopiez, E Altenmüller Annals of the New York Academy of Sciences 1169 (1), 351-354, 2009 | 94 | 2009 |
| Classification of high and low achievers in a music sight-reading task R Kopiez, C Weihs, U Ligges, JI Lee Psychology of Music 34 (1), 5-26, 2006 | 91 | 2006 |
| Music on the timing grid: The influence of microtiming on the perceived groove quality of a simple drum pattern performance J Frühauf, R Kopiez, F Platz Musicae scientiae 17 (2), 246-260, 2013 | 88 | 2013 |
| The ‘open-earedness’ hypothesis and the development of age-related aesthetic reactions to music in elementary school children R Kopiez, M Lehmann British Journal of Music Education 25 (2), 121-138, 2008 | 73 | 2008 |
| Intonation of harmonic intervals: Adaptability of expert musicians to equal temperament and just intonation R Kopiez Music Perception 20 (4), 383-410, 2003 | 71 | 2003 |
| Psychoacoustical correlates of musically induced chills F Nagel, R Kopiez, O Grewe, E Altenmüller Musicae Scientiae 12 (1), 101-113, 2008 | 68 | 2008 |
Altenmüller EckartProfessor für Musikphysiologie, Hannover University of Music, Drama, and Media Verified email at hmtm-hannover.de
